No Events
Delmark News Blog
VOTE for Jimmy Johnson & Dave Specter in the Living Blues Awards
Delmark artists Dave Specter & Jimmy Johnson nominated for the LIVING BLUES awards. Dave for BEST ALBUM, JIMMY for BEST GUITAR PLAYER. Get out and VOTE, every vote count! You can vote HERE, right now at https://livingblues.com
Delmark Records upcoming albums…!!!
VISIT US At delmark.com, over 10 thousand blues & jazz songs…!!!
LIVE AT ROSA’S FROM LINSEY ALEXANDER – COMING SPRING 2020!
Linsey Alexander is a true Bluesman, and these performances were recorded from a live show at a the legendary Chicago blues club, Rosa’s Lounge. Continuing the Delmark legacy of great live recordings, this album will give Linsey the respect he deserves as an artist and mentor to many younger musicians. The milestone record “All…
No Border Blues from Johnny Burgin – Coming Spring 2020!
Delmark Records presents No Border Blues, the first ever American compilation of the Japanese blues scene! The 1970’s Japanese tours of Chicago blues legends Otis Rush, Jimmy Dawkins, Eddie Taylor, and others created a small but intense Japanese blues scene that bursts over with talent three generations and over forty years later. Delmark Records was…
MJO & Dee Alexander get another great review!
“What we get is the best big-band era ambiance but with fewer instruments, played with aplomb and a great singer along for the ride, but in a twenty-first-century studio with high-quality professionals in charge. The reinvigorated Delmark label has done well, again, in providing us a timely representation of Chicago’s finest jazz musicians.”, says CHICAGO…
KEVIN JOHNSON JOINS DELMARK’S PROMO TEAM
Kevin Johnson brings all his experience to the new Delmark promo team. He will be focusing specifically in the blues, making sure the media knows about each of our many new releases and our many platforms and formats. Kevin worked for Delmark before, between 2005 and 2017. Welcome back!
PRE-ORDER PIANIST JAVIER RED’S CD DEBUT ON DELMARK…!!!
THIS IS MUSIC FOR THE TIME AFTER. After so many trends and the aftermath of 20th century’s aesthetical propositions this is music that re ects into itself and contem- plates itself on a historical mirror without recurring to the alibi of the “tribute”. This is music that, as poet Ezra Pound said, assumes “the tradition…
